EVENTS

Faces of the Ephemeral

"We are all masks, when the lagoon is reflected in the sky" Tiziano Scarpa

In "Volti dell’Effimero," Piovosi captures the ambivalent essence of the Venice Carnival, an ancient celebration born from the victory of the Republic in 1162 and codified as a public holiday in 1296. His works explore that suspended time, originally lasting six weeks, in which sumptuous masks conceal identities, revealing stories of power, seduction, and mystery.

Through a rich palette of gold, crimson, and deep black—alternating with touches of lagoon blue—applied on handmade paper or canvas with oil paints, the artist immortalizes Baroque opulence, a style that in Venice became the scenographic expression of an era when "Carnival occupied much of the year." In his paintings, the dualism between appearance and truth materializes in the enigmatic faces of the Bauta, which guaranteed absolute anonymity, or the sensual Colombina.

The series not only celebrates aesthetics, but also questions the viewer's concept of identity, reflecting on the original purpose of the mask: to make everyone equal, regardless of social class. What lies behind a golden smile? Is the mask liberation or prison? The painting dedicated to the Flight of the Angel, the spectacle that opens today's festivities, suggests a possible answer: it is an act of transfiguration and beauty in free fall.

A tribute to eternal Venice, suspended between a shining past and a fragile present, and to the art of the "mask makers," custodians of a centuries-old tradition that, with the fall of the Serenissima in 1797, gradually declined, only to rediscover its spirit in 1979/1980 as a major event organized with the involvement of the Municipality, cultural associations, and the entertainment world.